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This time around it was a BREEZE as we knew which BITS went where and, without a FORMAL SCRIPT to adhere to, could muck about as much as we liked so long as we got to the next song eventually. It felt very strange, also FREEING. For previous shows rehearsals have been a right old pain in the wotsits, as we've struggled to get the WORDS right, especially for shows like Moon Horse or Total Hero Team which were PACKED with PLOT that had to be said out loud. This one doesn't really HAVE much of a plot - there's a THEME, a General Idea, and several ACTUAL JOKES, but they're loosely hung like TINSEL between songs rather than complex teetering mechano constructions that cannot be leaned on too hard (METAPHOR) so it's all quite GROOVY.
It was also a LOT of fun. Usually we only get to the LARKING AROUND phase of the show when we've already been DOING it for several months and are confident in how it works, but this time we were there right from the start, and it made me wonder if this might be a way forward for any FUTURE productions. I mean, OBVIOUSLY I am thinking this because it is DRAMATURGICALLY forward thinking, experimental and inherently theatrical, and not at ALL because it would save us a LOT of work and stress, but I must admit that that appeals too. If and when we do another show then perhaps the way to DO it is NOT for me to spend three months working out plot, character and GAGS (I hear a chorus of voices say "You worked all that rubbish OUT before?!?") but instead to work it up ORGANICALLY.
It's certainly a THORT, but before we get to any of that we've a SHOW to do in Leicester on Friday. As mentioned previously, the PLAN is to see how that goes and then, if how it goes is WELL, book some more shows. I've a feeling it WILL go well - as Steve said during practice, "I think everybody is going to have a LOVELY time", and I reckon he might just be right!
posted 13/2/2017 by MJ Hibbett
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