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Conferencing At The Seaside
I've spent most of this week so far in sunny (and also occasionally rainy) BRIGHTON at the Association of Research Managers and Administrators Conference. This was a big gathering of people who work on... well, managing and administrating research, mostly in Universities and charities, and THUS I was there in my capacity as someone what does that for a living. It was a whole lot of ACTUAL FUN!

ARMA is a BIG conference, with over 700 people in attendance, spread over several large rooms in a massive seafront hotel. The UAL contingent descended EN MASSE with a DOZEN of us there, including a load of people from my department. We all stayed in the same hotel and hung around together a LOT, and it turned out to be GRATE because they are an EXCELLENT bunch. One of the many things I like about my current job is because I like the people i work with, and whereas in some of my past jobs (NOT ALL!) the idea of hanging around with people from work in NOT work time would fill me with dread, this time it was DELIGHTFUL. The only downside was that over time I became increasingly GARRULOUS and started MENTIONING aspects of my BACKSTORY and unleashing Humorous Remarks to a previously unseen level, so my colleagues may not feel quite the same way about me!

As with all conferences the talks themselves were VARIABLE. I've not been to this conference before and noticed that there was a definite trend towards EXTENDED "A Little Bit About Me" introductions. I am NOT a fan of this sort of thing - as I always say, if I wanted to know more about the lives of people I have never met before I would ASK - and my views were very much re-affirmed here. At one session there were four speakers and the spent ten minutes each - EACH - giving LENGTHY descriptions of their work history - "so I applied for that job but didn't get it which was disappointing but what can you do and then the job came up again and somebody mentioned it but I didn't think I would get it but they said to apply and so I did and what do you know but I got an interview and..." AD INFINITUM. I honestly felt like I was never going to get out!

Others were much better, notably a Keynote from Harriet Beveridge. It was advertised as using "stand up comedy and humour" to help people through research administration work, which filled me with UTTER DREAD but it turned out to not only be DEAD GOOD but also FUNNY, which is a very very difficult thing to do just before lunch in a massive auditorium to several hundred tired-eyed administrators. I LARFED!

The conference also had ACADEMIC POSTERS, which is something I have not been involved with for about a DECADE. Back when I worked at Birkbeck my boss was forever getting me to knock up posters for him and I got quite adept at making them with POWERPOINT. For those not in the know, Academic Posters are MASSIVE great things (A0 in this case) which usually act like a short paper with a big font so people can read it from a distance. However, when the call came round for proposals I thought "Hang on, they don't HAVE to be like that do they? If I did a poster about the benefits of being an administrator who also actually DOES research, I could do it as a COMIC!"

And so that is what I did - titled "The Adventures Of Administrator-who-is-also-a-Researcher" - and it took FLIPPING FOREVER. It turns out that making comics is HARD, especially when you want to make an ACTUAL COMIC that properly follows comics grammar, and not one of those boring ones which are EITHER an illustrated essay OR just a character talking to the audience. It turns out that the REASON academic comics are usually one of the two above is that those are an awful lot easier to do!

Eventually I got it finished, did some PEER REVIEW (i.e. asking my colleagues "does this make me look like a dickhead?") and got it printed off, lugged down to the seaside, and put up with velcro THUS:

As you can see, I was quite pleased with it! If you'd like a closer look it's available to download from UAL's outputs repository along with a VIDEO of me (briefly) explaining it. I spent both lunchtimes standing NEAR it, as you're meant to do that in case people want to ask questions, but to be honest mostly I talked to people about 2000AD! It was all very jolly and was even MORE jolly on the final day when they announced the results of the competition where delegaes could vote for their favourite poster. THIS happened:

I won! I was FLIPPING DELIGHTED I can tell you - I was very very tempted to copy Ronaldo's goal celebration from the night before and run along pointing in the face of other delegates but I just about managed to resist as I feel it would not have come across as PROFESSIONAL. Instead I wandered round the corner to Forbidden Planet and spent too much money on COMICS instead.

It was a BRILL ending to what had turned out to be a FUN few days. Conferences are GRATE!

posted 20/6/2024 by MJ Hibbett
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Watching Lady Parts
I've just started watched We Are Lady Parts on the Channel 4 All-4-Player and am really enjoying it, despite having to battle through quite a bit of "They're Getting It Wrong" FURY. For LO! just like pretty much every television show or film about Being In A Band EVER it appears that the people involved have not really BEEN in a band and have almost - but not quite - no clue how it works.

I think it's the Not Quite-ness that annoyed me most, because there are some bits that DO completely get it, like when they're actually playing a song and LOOKING at each other. People in bands LOOK at each other all the time, in my case usually to see whose fault it is that something sounds wrong and then realising it was ME, but also to say "HA! This is GRATE!" That bit feels TRUE and is lovely, but goodness me the actual MECHANICS of most band stuff fall into exactly the same ERRORS that ALL such fictional band stories do, most notably in the way that they write songs together. In one of the episodes I've watched so far the band write a new song by JUST STARTING TO PLAY IT. Nobody says "hang on, what are the chords here?", nobody stops after three bars because they've started at the wrong speed, nobody tries to interrupt by playing a FALL bassline, and worst of all they just write the words there and then taking it in TURNS so to do.

The only time it EVER happens like that is when Paul McCartney does it in "Get Back" which a) is AMAZING b) is a rare and wonderful thing done by an all-time genius and c) will, I greatly fear, only encourage every other music programmes for the next three thousand years to do it the same way.

This has been going on FOREVER - a key historical example is in the film "The Doors" when one of them says "Hey, how about this for an idea for a song?" and just REELS OFF the intro to "Light My Fire" and then we CUT TO THAT EVENING where they've written and learnt the whole thing perfectly. THAT IS INCORRECT. Why oh why oh why can't they ever show the TRUTH, which would involve weeks of Thinking Of A Clever Rhyme In The Shower, writing down lots of different versions, spending HOURS trying to work out what the chords are, and then taking it to a band practice and spending 98% of the time taking the piss out of each other before trying the song, doing it wrong, worrying about it for a MONTH, and then just about getting to the end of it after several goes the next time. I mean, I am not a Hollywood Producer but that sounds like BOX OFFICE GOLD to me!

However, once I managed to CALM DOWN about all that vital and important stuff it was actually really good. I have watched quite a few of The Young Person Sitcoms over the past couple of years, usually on Channel 4, and they ALL seem to have two things in common. Firstly they are all ABOUT something and have SERIOUS ISSUES and UNREPRESENTED COMMUNITIES - I guess you need to have these to get anywhere with the posh people from extremely over-represented communities who commision everything in The Arts. Secondly, they are then all SURPRISINGLY LOVELY. SO many of these shows go "Prepare for THORTS being PROVOKED!" and then give you a lovely soppy twenty minutes about fundamentally delightful young people who really like and support each other, and I am VERY MUCH here for that sort of thing.

Having said THAT though, I did almost stop watching altogether when they went to an "audition" for a Battle Of The Bands that was PRECISELY UNLIKE ANY Battle Of The Bands that has ever existed, but I bravely ploughed through and am back to enjoying it again. I just hope there's an episode soon where they have an lengthy discussion about the difference between MCPS and PRS. This is the good stuff!

posted 6/6/2024 by MJ Hibbett
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Up To Date With Modern Telephonic Technology
You find me today at the very CUSP of TECHNOLOGY, as I have been getting my Mobile Telephone fixed! And it has WORKED!

I've had my current phone for about six years now, which feels pretty recent to me but apparently is like lugging around a ZX80 when all the cool kids have got a QL. I use it for Whatsapping my HOMIES, checking my email, and reading the Guardian Live Blog to see if the election's happened yet (SIDEBAR: it is underway now, in case you don't have a Mobile Telephone to tell you), and so the fact that it's a bit old has not generally been a problem. HOWEVER, in recent months that has changed as the memory has started to get completely full up with BLOAT, so I haven't even been able even to take a PICTURE without it bursting into tears.

I have dealt with this in the traditional manner i.e. ignoring it and hoping it mends by itself, which is how I have dealt with another telephone-related issue for DECADES. For LO! when I got my very first phone, over TWO DECADES ago, I signed a contract with a shop in Leicester (I was still living in Leicester, THAT is how long ago it was!) and have been on the exact same contract ever since. For several years WISE COUNSEL has asked "Why are you paying three times as much a month for your phone as you need to?" as many many other DEALS have arisen that were much better, and so FINALLY last month I decided to sort it out.

THUS I spent several happy days going back and forth to our local VODAFONE SHOP, where a succession of Nice Young Men patiently EXPLAINED things to me. They didn't always get it RIGHT but they were so NICE about it all that I didn't really mind, and at the end of it they had SLASHED my monthly phone bill to a THIRD of what it had been, so I was much pleased.

ENERGISED by this success I realised I could probably sort out some other issues too, and so went and bought myself a second SD card. This tiny tiny little piece of TECH boosted the memory of my current phone to more than our ENTIRE ACADEMIC DEPARTMENT had had on ALL of its servers when I got my first one, and so I used it to set about downloading APPS. This was GRATE fun as I've spent the past year or so gradually deleting APPLICATIONS to save memory, but now I was spending it liberally. Why bother GOOGLING how late my train is going to be (because it inevitably IS) when I can have an APP to tell me? Similarly, why look at Twitter Dot Com to find out which "celebrities" my football club has booked for Personal Appearances over summer when THE POSH APP can do it?

The APP that I really wanted to have back was for PODCASTS, but this involved a FURTHER problem. About six months ago the JACK socket on my phone broke, so I had to manually download MP3s of podcasts onto my computer and then physically transfer them onto an MP3 player like some kind of MEDIEVAL SERF. "I can just get that mended," I thought. "How hard can it be?"

QUITE HARD turned out to be the answer, as the local Phone Repair SHops in the shopping centre were all LIGHTWEIGHT operators catering only to FANCY DANS with phones made since the days of lockdown. "Try a local phone shop" one of them said. "But you ARE local", I thought. Anyway, some more GOOGLING brought the realisation that a) London's Fashionable Tottenham Court Road is FULL of local phone shops (that aren't local to me but still) and b) I was going to get my HAIR CUT nearby on Saturday so could pop in.

THUS on Saturday afternoon I handed my phone over to an Earnest Middle-Aged Man in a BOOTH on Tottenham Court Road and wandered off for a haircut. Almost immediately I thought "hang on, I didn't get a receipt for that or anything" and this wasn't helped by the FACE on my hairdresser when I mentioned what I'd done. "I'm sure it'll be fine," he said. SEVERAL TIMES.

It was not perhaps the most relaxing attendance at a SALON ever, but happily once he'd finished and we'd done the traditional Looking At The Back Of My Head In A Mirror, I skipped back down the road to find that all was well and the jack socket was WORKING again! HOORAH! Well done, solid urban craftsman! THUS I am now loading up on about a million different podcasts again and planning LONG WALKS to listen to them. Obviously at the moment it is going to be pretty much ALL ELECTION STUFF, but if anyone has any recommendations for AFTER all that, I would be very pleased to receieve them!

posted 3/6/2024 by MJ Hibbett
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Exciting Lights At The Social
Last week we went to see a gig - an actual gig - at The Social. It was J Bernardt, and we were there with our pal and Recommender Of The Gig Mr J Tomlinson. I had been doing my REVISION over the past few weeks, as J Bernardt wasn't someone I was familiar with at all beforehand, and so the gig itself was dead good. That is my review of the gig!

There were all sorts of interesting things AROUND the gig which I would like to expand upon though, notably the fact that although J Bernadrt is not a big name in THIS country he IS in his native Belgium, where he's in the band Balthazar. THUS the fact that he was playing in a venue as small as The Social (a venue so small that even *I* have played there a couple of times!) was Quite Exciting to London's entire BELGIAN community who had turned up to see him. It was a bit like when I went to see The Beths a year ago and the room was PACKED with New Zealanders who had all apparently come to see "The Biths"!

It was SO very packed that we couldn't actually get into the gig room and ended up watching from the BAR at the far end, looking over the soundman's shoulder. THAT reminded me of when The Charlotte used to sell out gigs and there wouldn't be room for everybody to get in because they'd based their official capacity on the gig room AND the pub attached. However, it was all FINE this time because, it turned out, we could see AND hear where we were AND we were really handy for the bar. Also it gave us the chance to appreciate an exciting innovation in LIGHTING, as The Social has special coloured lights ON THE WALLS which spread all the way back to us. I have only ever seen this sort of thing in ADVERTS so it was dead exciting to be part of a gig where the walls THEMSELVES flashed and changed colour with the music. It was ACE!

As I say, the music was dead good too and it was - AS EVER - really good to have done the revision and know the tunes, which are now happily bouncing round my BRANE. It was a fab evening all round, especially with all the technical wizardry, and was topped off by the realisation that we were only five minutes away from The King & Queen, so headed their for some in-depth post-gig analysis. HOORAH!

posted 28/5/2024 by MJ Hibbett
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All Them Trimmings
Being a modern young hepster about town I listen to these interesting new things called "podcasts". You might not have heard of them, they are basically like radio programmes but you get them from off of the internet and they're done by people you either know, or possibly people who other people you know do. They are quite the thing and I for one predict that they will get quite popular.

One of my VERY FAVOURITE podcasts is This Are Johnny Domino, in which Steve and Giles from AAS stalwarts Johnny Domino listen to some of their old recordings and BICKER about them. It is dead good, especially if you are someone who was in a band in the 90s who did lots of titting around on a four-track, as it is VERY MUCH concerned with the daftness of it all. It's also quite good if you grew up with AN ANNOYING BROTHER who is only a few years different in age and INSISTS on being wrong about things in an unending yet AMUSING way.

They have also been developing ENGAGEMENT OPPORTUNITIES for their listeners, including inviting people to send in their OWN four-track masterpieces for inclusion in "The Eternal Halls of The Four Track Gods" and, more recently, inviting us to record our own songs based on a set of lyrics that they found many years ago in a "How To Be In A Band" book. I was INTRIGUED by this idea and so did one of my own and sent it in, and in THIS week's episode - called All The Trimmings - Part 2 because that is the title of the song and it's the second episode featuring people's contributions - they PLAYED it.

I was Quite Excited to hear what they thought because, as I say, it is one of my VERY FAVOURITE podcasts (matched only by I Am The Eggpod really), but also Slightly Afeared. In the past, when that nice Mr S Lamacq was going to play one of our records, he would sometimes email to let me know in advance, and I would ALWAYS think a) "HOORAY" b) "Oh no, what if he plays it on ROUNDTABLE and lots of ROCK STARS say it's not very good?"

It was the same feeling HERE, and this was only increased when the bit with my song in began with a DISAGREEMENT about whether they should even have been playing it at all. "Oh no," I thought, "clearly one of them HATES it, or they BOTH hate it and one thinks it should have been left out!" However, on further listening it turns out that the disagreement was whether my song should have been allowed to JUMP THE QUEUE and be played before some others that had come in earlier. The central argument for doing this, it appeared, was that Steve thought it would be good because I have, and I quote, "lots of followers" who would be commanded to listen to it, and Giles thought this was SELLING OUT.

This news pleased me NO END. I mean, obviously I had sent it to them because I thought THEY had loads of followers who would listen, feel compelled to seek out my other stuff, and I would finally be able to sell the last 100 unsold copies of Say It With Words, but still, it was nice that they THOUGHT such things! It was also lovely when they went into a discussion about the Venn diagram of people who like THEIR stuff and MINE, coming to the conclusion that this contained ONE person i.e. Mr Frankie Machine. I would disagree, not least because I would put MYSELF in that category, but then I got distracted from such thoughts because Steve started talking about going to Indietracks and seeing people asking to have their photograph taken with me (THIS HAPPENED!) (MORE THAN ONCE!) and I remembered how much FUN that all was.

Anyway, apart from all that there is PLENTY more DELIGHT to be had from the show, which is an unofficial ARTISTS AGAINST SUCCESS special with tracks by them and also Frankie Machine too, and I would HIGHLY recommend - NAY, COMMAND - that you go and have a listen, whether or not you are one of my "loads of followers" or not! Like and subscribe!

posted 24/5/2024 by MJ Hibbett
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It's finally here!
Yesterday morning I was sat at my desk, DILGENTLY WORKING but also finding the time to occasionally look at the NEWS and SOCIALS. Early on I saw a tiny mention in a news blog that somebody had heard the KRAZY rumour that a general election was going to be called that day. This was treated as a source of HUMOUR, because of COURSE there wasn't going to be an election called today, that would be NUTS, but then as the morning went on more and more people started repeating it, everyone somewhat SURPRISED because the expectation has been that Sunak would wait as long as he possibly could in the hope that Something Would Turn Up to help him out. What we had all been doing wrong, of course, was thinking that he would behave in the way that someone with any sense would do, when the evidence of the past couple of years is that he is VERY BAD INDEED at Actual Politics, and so would be more likely to do something this DAFT. At least THIS time he's made a stupid decision that's likely to harm HIM rather than US tho - Thanks Rishi!

I got more and more excited about the prospect all day because I FLIPPING LOVE ELECTIONS. I like all the polls and the predictions and the general air of POSSIBLE MISHAP, and so I REALLY enjoyed Rishi Sunak's opening speech where he stood up and said "PLAN PLAN PLAN" while obviously having failed to plan for the fact that it was raining, and ALSO that someone might think "I'll turn up with a massive speaker and play 'Things Can Only Get Better' all the way through, that'll be funny." IT WAS.

I'm sure things will go wrong and my daydreams of seat calculations will turn out to be wildly incorrect, but for now I am just ENJOYING those daydreams. I've also booked the day off on July 5th so that I can STAY UP ALL NIGHT and hopefully catch a few Portillo Moments. The last time this happened (or at least something happened that I hope will be echoed this time) was obviously 1997, when myself and Mr S Wilkinson went round to Mr T Pattison's FLAT to watch the results. Tim lived above a KEBAB SHOP then, and when the Portillo Moment happened we were all jumping around and shouting so much that the men from the shop came running upstairs because they thought there was a FITE.

Sadly there will be no Kebab Shop Men for any of us this time, but I'm very much looking forward to communing with both of the above, and others, via modern technology. I've even started looking at flipping TWITTER again, so keen is my interest in All Of This. Best of all, when it starts to get BORING in a few weeks it'll be time for the EUROS to start, so we can enjoy entirely different DAYDREAMING and PLANNING. I am confidently looking forward to everything going precisely as I hope in both contests, and look forward to a glorious new dawn approaching where we don't have the Tories in charge and DO have Lovely Gareth Southgate looking on proudly as his team of Nice Young Men with the Euros.


posted 23/5/2024 by MJ Hibbett
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Five Hundred Voices Say 'Cheese'
On my way into work yesterday morning I experience a HAPPENING that gladdened my heart for the rest of the day, so I thought I'd share it in order to spread some DELIGHT around.

I work just behind Kings Cross station, in Granary Square, which is very cool and fashionable, possibly even more so when I'm there. To get to Granary Square you cross over a canal, and the oppsite side as you cross has a row of big steps running down from the square to the water, all covered in plastic grass, which loads of people go and sit on in the summertime. There's usually a few people sat there in the morning as I walk towards it, but today there were HUNDREDS of people, who were SMALL. At first I thought it was just a school trip who had occupied the entire thing but as I got closer I noticed that each row had children of roughly the same size on it, with a TEACHER at either end, and that nearly everyone was looking across to the other side where there was a cameraman.

AHA! It was a SCHOOL PHOTOGRAPH being taken, most likely for an entire Primary School. We used to do these every three or four years at my Senior School, and it would involve the erection of a MASSIVE structure for people to stand on, and then one of those cameras that moved VERY SLOWLY along the line, enabling TYKES to run round the back and get in it twice (except at our school the STERNEST teachers were positioned at the end to stop this rebellious practice). It used to take FOREVER to set it all up, so it was clearly a GRATE idea for whatever school this was to take advantage of the pre-provided big steps, and I'm sure worth the hassle it must have taken to get FIVE HUNDRED TINIES along to the right place.

It was all very CHARMING and LOVELY, but then it got better because it was time to take the actual picture, which involved lots of adults saying "SHH!" and then small children saying "SHH!" and then everybody all saying "SHH!" to each other because they were all saying "SHH!" so loudly. Once that was done the cameraman shouted. "ALL RIGHT! NOW! EVERYONE SAY - CHEESE!" and then 500 tiny voices whispered "cheese" as one. It was LOVELY. Shortly after that I entered our building and heard a distant "LOUDER!" and the same 500 voices shouting "CHEESE!" and it was BRILLIANT.

I work in an ART COLLEGE and there are often HAPPENINGS and ART and CONCEPTS slathered about, but I don't think I've ever heard ot seen anything quite as moving as half a thousand human beings forming a moment they'll always remeber by shouting about dairy products. More of this sort of thing please!

posted 21/5/2024 by MJ Hibbett
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Everything Changes (except The Validators)
On Friday I had the day off to head NORTH to the fabled East Midlands, where I was due to meet up with the mighty VALIDATORS to celebrate the Big Birthday of our own Tom - THE TIGER - McClure.

I'd booked my train for quite early in the afternoon, partly because it was LUDICROUSLY expensive later on, but also because it would give me some time for a bit of a wander round. A few days ago I'd ready something on The Socials that referred to some documents being held in "The Kimberlin Library". "Oh," I thought, "that was the old Leicester Poly library, it must still be there!" I went to look at it on Google Streetview, and was at this point ASTONISHED to discover how much the area around it had changed. Leicester is FORVER changing, as the council seem to have a decades-long urge to repeatedly knock EVERYTHING down and then put something else there, which a few years later gets knocked down ITSELF (as faithfully documented in the song Leicester's Trying To Tell Me Something, but this level of moving STREETS about was something new. "I'll go and have a look at it in real life on Friday", I thought. So I did!

It formed part of a MASSIVE HIKE around town, taking me as far afield as Narborough Road, where I went to have a look at some of the places I'd lived as a student. That area has NOT changed very much AT ALL, and has very definitely "avoided Gentrification". Pretty much everywhere else, however, had swapped around, with places that used to be pubs now supermarkets, places that used to be banks now pubs, and places that used to be derelict factories now student housing. Crumbs there is a LOT of student housing in Leicester now - there was hardly ANY when I was there, A MILLION YEARS AGO, which is why we all lived in shared houses off the Narborough Road, but now it's EVERYWHERE.

SO many buildings had changed purpose that after a while I began to feel quite DISORIENTATED, as my memories of what USED to be there kept bashing up against what was there now instead. This became particularly disconbobulating when I walked back into town and went in search of A Well Deserved Pint. The very few places that WERE still pubs had changed entirely, with all of the ones I remembered as being NICE now being STINKY - again, this seems to happen a LOT, with Leicester's great blessing of LOADS of lovely pubs being tempered by the fact that they never seem to last very long!

In the end I went to The Globe, which HAS changed a bit inside, especially with the old courtyard being KNOCKED THROUGH, but is basically the same pub it was in 1988 when I had some of my very first PUB experiences there. I was also DELIGHTED to find that Currant Affairs is still very much open, and still selling their vegan sausage rolls!

Eventually it was time to head up New Walk to The Marquis Of Wellington, which turned out to be RAMMED, and also weirdly OLD. I don't know what was going on, but it ws PACKED with people older than ME who were QUEUING at the bar! Happily around this time Tom himself arrived and we agreed it was NOT an ideal situation, so went over the road to The Loaded Dog instead, which was reassuringly MUCH younger and LESS packed. The University Tennis Society seemed to be having a big meeting there too for some reason!

The Pattisons rolled up, and then not too long after that The Fleays too, and a MARVELLOUS evening ensued of BEER and YACK and CURRY and MORE YACKING. As I have often said, it is SO MUCH EASIER to have a get together with CURRY instead of doing an Actual Gig, and it was LOVELY to see everyone without having to lug piles of equipment around and do soundchecks! Leicester itself may have changed but The Validators have not - especially PHYSICALLY as you can see from the below BAND PHOTO taken for us by Mrs J Fleay.

Expect to see this as an ALBUM COVER at some point in the distant future!

After we'd finished our fine dining we strolled back down New Walk to Duffy's, which I remember long ago as The Town Arms but is now more like a mini-Charlotte (which itself, inevitably, is now a supermarket). More BOOZE ensued, more HILARITY and a RUDDY BRILLIANT evening was had. Eventually it was time for The Fleays to go and get their train, after which we all hopped into an UBER, with me and Tom being dropped off at The New Tiger Towers to savour some WHISKY.

It had been a slightly PERPLEXING afternoon, but a FANTASTIC evening - I hope we don't end up waiting for another Big Birthday before we do it again!

posted 20/5/2024 by MJ Hibbett
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Connie Converse
Last week I was idly wandering through the fields of Facebook when I spotted a post from The James McMahon Music Podcast mentioning a show he's just put up aboout Connie Converse. There was a brief blurb that mentioned something about a singer-songwriter who'd disappeared about 50 years ago, and whose music had only recently been discovered.

"That sounds interesting", I thought, and I was CORRECT, for a deeper dive into the topic (i.e. listening to the show and looking her up on Wikipedia) showed it to be FASCINATING. The very brief version is that Connie Converse was a singer-songwriter in the early 1950s before there even WERE singer-songwriters as what we would understand them today. She lived in New York, wrote several songs, once appeared on a television programme, but got absolutely nowhere with it at ALL and so gave up on music and did other stuff instead until 1974 when she packed all of her belongings into a Volkswagen Beetle and drove off NEVER to be heard from again.

All of the above is INTRIGUING, but what makes it much more so is that in 2004 some TAPES of her music were played on a radio show and they were AMAZING. She never officially released anything at all - a friend had recorded some of her songs half a century earlier, and some other recordings of hers were found in a cabinet in her brother's garage, and so in 2015 a compilation called How Sad, How Lovely was released. INTRIGUED further I went and downloaded it off of Bandcamp and have been listening to it ever since because it is FANTASTIC.

It sounds like music from an alternative universe (The Connie Converse-verse?), like something you have heard a million times before but also never have until just now, as if it had existed in a previous version of the universe but somehow got erased. The actual music reminds me a bit, for some reason, of Stan Laurel singing "Lonesome Pines", and also of Madeleine the rag doll from Bagpuss, in that it sounds super-OLD, but also weirdly MODERN and new. The tunes are GRATE (I have been wandering around singing the title track all WEEK) and the words are BRILLIANT. I think that's what makes it strangest to listen to, with her singing very modern but also very old-fashioned lyrics but knowing it was seventy years ago.

What I am saying is that she is/was GRATE and I would highly recommend everyone go and have a listen. Also, if anyone knows what happened to her and happens to have her contact details, please ask if she'd like to come out of retirement and do a Totally Acoustic!

posted 6/5/2024 by MJ Hibbett
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A Thing In Barbican
At the weekend I ventured into the labyrinths of London's BARBICAN for ANOTHER secret meeting!

This time I met with Mr John Dredge to discuss a THING that we have been talking about doing. As with other SECRET THINGS, I don't want to go into too much detail about what it actually is just yet as OBVS we want to save that for the news conferences, live tweetalongs and TV news broadcasters that will all be accompanying the international LAUNCH, but I can - EXCLUSIVELY - reveal that it will involve recording me and John talking to each other. WOTEVER could it BE eh?!?!?

In order to facilitate this idea we'd agreed to meet up and have a trial run of recording us talking about something, and we'd chosen the Barbican to have a go at doing it because it is a big place with loads of nooks and crannies that one could hide in, where in theory it would be quiet enough to record a CHAT. This did not turn out to be the case as when we turned up it was FULL of people wandering around (some traditionally LOST within the Barbican's many tunnels, as I had been on the way) or loafing about in great groups of NOISE.

Eventually we went outside and found a nice quite spot round a corner, sat on a bench, with nobody around where we settled ourselves down and began our YACK. I'm not quite sure what happened over the next twenty minutes or so but I can only guess that people spotted us and thought "they look exciting and modern, let's wander over and be near them so that we too can be that cool" as LOADS of people turned up, mooched around, and then left to make way for others to come and stand about for a bit too. Over the course of the next hour not one but TWO entire flipping TOUR GROUPS came past and stood near us to be told the history of - I assume - this intensely cosmopolitan park bench.

We carried on regardless and had a DELIGHTFUL time - Mr John Dredge is not only a fine comedian but also an EXCELLENT chat-participant - and once we'd completed our task we went back inside for a discussion of how it had gone (WELL) and plans for what to do next. Many THORTS and IDEAS flew about, almost all of which were GRATE, but while this was going on something caught my eye. I looked up and a few feet away saw DOCTOR DOOM! On closer inspection it turned out the be the back of an MF DOOM t-shirt, but one which was very very heavily based on this classice image from Fantastic Four #84:

It felt to me like THE UNIVERSE was saying "Yes, this is a good idea, and here is a representative of a previous good idea to give its ASSENT!" I went and asked for a photo, and the chap seemed DELIGHTED, and so was I!

Further chat and PLANS ensued, and we now have some TASKS to complete to work out what comes next. As I say, I can't reveal full details just yet, but when I do it is, I feel, going to be GRATE!

posted 5/5/2024 by MJ Hibbett
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Bandcamp Bank Holiday
As anyone who's ever bought anything on Bandcamp will know (from the 10,000,000 emails from bands telling you so), today is Bandcamp Friday!

That means that Bandcamp don't charge the ARTISTES any fees, which is very nice of them, but doesn't really apply to ME with my latest release Oadby Wonky Knobby as you can get it for FREE. Rather than have my gallant band of CONSUMERS miss out on the fun, therefore, I had a dig into the ARTISTE TOOLS section and discovered you can have discount codes, so am unleashing a MIGHTY DISCOUNT!

It works thusly: go to my lavish Bandcamp site and BUY some stuff, and then when you get to the checkout enter the discount code justbeinghelpful and you'll get 20% off THE LOT. By "THE LOT" I mean EVERYTHING, including the full discography package. It is a KRAZY BARGAIN!

MATH FANS can also experiment with getting the aforesaid Oadby Wonky Knobby for nothing and seeing how Bandcamp deals with calculating 20% off ZERO, although if SMOKE starts to come out of its ears, the tapes start whirring into a blur and Bandcamp Dot Com collapses with a message saying "404 ++ DOES NOT COMPUTE ++" then please don't tell anyone it was my idea.

The offer is VALID until the end of Bank Holiday Monday... I think. I had to enter the end date in the stupid and wrong American style, so there's a slight chance that it might be useable until early June, but either way please partake of it as you will, with happy Bandcamp Friday wishes to one and all!

posted 3/5/2024 by MJ Hibbett
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Monster Island
Last week, as part of the EXCITING BUILD-UP to the release of Oaby Wonky Knobby I put out a video for 'Only A Robot'. However, the EXCITEMENT does not end there for today I am UNLEASHING yet ANOTHER video, this time for Monster Island, which you can witness RIGHT HERE:

This one was put together using clips from various public domain movies, notably The Lost World from 1925. It was a GRATE deal of fun to put together, especially MARVELLING at the ingenuity in some of these old films, and I hope it is similarly DELIGHTFUL to watch!

posted 1/5/2024 by MJ Hibbett
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Oadby Wonky Knobby Unleashed
Today is the last working day of the month, which means it's time for the latest edition of our newsletter The Last Working Day Of The Month, and LO! it is a big one this month because it is issue TWO FLIPPING HUNDRED!!

Flipping heck, when I started bothering people with a newsletter nearly TWENTY YEARS AGO I never dared to dream that it would still be appearing, in pretty much the same format, all these futuristic years later. On previous occassions when we've reached BIG NUMBERS I've given away a free compilation exclusively to newsletter subscribers, and I was all ready to do so again this time but, as previously discussed, when I started putting it together I thought "Hang on, this is actually pretty good, maybe I should give it a WIDER RELEASE."

THUS Oadby Wonky Knobby is out today on All Streaming Services so that THE KIDS can get hold of it however they wish. HOWEVER,T the original plan to give it away for free to newsletter subscribers remains VALID, so if you ARE a newsletter subscriber please do hop over to the Bandcamp page for the album, click "Buy Digital Album" and enter a big old ZERO in the price you want to pay. You should then get it for NOWT!

If you're not a newsletter subscriber but would still like to avail yourself of this offer please sign up and then follow the same process. More subscribers are always welcome, and it'll only be about five years until we do the NEXT compilation, so you might as well get in early!

posted 30/4/2024 by MJ Hibbett
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White Town At TA
Last night I made my way once again to The King & Queen in London's fashionable Fitzrovia area of London, for an evening of ROCK!

For LO! Totally Acoustic was BACK! I've avoided FORMALLY saying this previously for various reasons, largely to do with the hassle of trying to do regular dates, working out who to book, and then all the gubbins around the podcast, but I realise now that I can just do it occasionally when I've GOT someone who can play, and not worry about the rest of it. INDEED this gig had only been booked because the band White Town got in touch through their emissary Mr F A Machine to ask about doing one, so it is them what I have to thank for this realisation! In fact, Mr J Mishra is Getting The Band Back Together in a very similar fashion i.e. doing gigs when it looks like it'll be fun, so that's DOUBLE inspiration!

Anyway, I arrived at the King & Queen to find that it now has what looks like a STUDENT clientele, who had all decided to stand RIGHT IN THE DOORWAY so you literally had to push your way through them to get in. Later on several people said to me "You should write a song about that!" I ALREADY HAVE, I replied.

Upstairs I found Frankie, Jyoti and Mr I Turner already in residence, and we were soon joined by Mr S Hewitt and a whole HEAP of lovely people, and also a couple of lovely DOGS, courtesy of The Cresswells. Seeing all these various CHUMS - including Mr T "The Tiger" McClure, who had RACED to be there - reminded me of why I really enjoy doing Totally Acoustic, and very much affirmed in my mind that it was worth doing it again.

Soon it was time to kick off, and we began in the traditional manner with the Totally Acoustic theme tune before I launched into action with the following:
  • Monster Island
  • A Museum Of One Thing
  • Only A Robot

  • The reason I played these particular songs was that I'd realised I had an album coming out soon, and so I really ought to do some songs from it. However, I had NEVER played the first two songs in front of an audience before, so rather than risk it all going HORRIBLY WRONG I printed myself some LARGE TYPE lyric sheets, which worked out really nicely, and aside from distracting myself with thoughts of Open Top Bus Tours in A Museum Of One Thing it all went pretty well.

    We then had a break before White Town came on and were GRATE. They did a stream of songs which were GORGEOUS, contained within an ongoing narrative of explanation and THORTS from Jyoti - it was fab! This was his first gig for about six years, he said, but there was precisely NO rustiness about it. It was one of those lovely gigs where as soon as it begins you feel like it's all going to be FINE and also FUN. Also also, they did THE HIT just over halfway through, and a) it fit in with the rest of the set of equally gorgeous songs and b) there was a TINGLE around the room as we all gently sang along with an actual NUMBER ONE being sung by its author. That was pretty special! Also, Frankie played the trunpet bit on a blow-into-it keyboard thing, which was ACE!

    With only them and me on it all finished at a HIGHLY reasonable time, leaving lots of space for YACKING. Excitingly, when I popped downstairs I overheard a conversation at the bar between three chaps talking about Ron Smith and Massimo Belardinelli so INVEIGLED my way into it by saying, "Excuse me, I am a DOCTOR OF COMICS." All right, I'd had an exciting night, but they didn't seem to mind too much!

    Eventually it was time for us all to wend our merry way home after a lovely evening of ROCK and PALS. I'm hoping to do another one of these in a month or two, and have someone very much in mind to drag along to do it, but fear not, I shall be broadcasting details loud and clear as soon as it's arranged!

    posted 26/4/2024 by MJ Hibbett
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    Only A Robot
    Today I am unleashing a brand new VIDEO upon the world! It is for the song Only A Robot from my forthcoming album Oadby Wonky Knobby and you can see it HERE:

    As the bit at the end says, the images were taken from a Golden Age comic strip called "Hugh Hazzard & His Iron Man" by Wayne Reid which appeared in the early 1940s in "Smash Comic" (and so is public domain!). I read several issues of the comic to find the right panels, and it was REALLY interesting reading strips from the transition period from pulp heroes to superheroes, with all sorts of very solid men with alliterative names using Science (or sometimes Weird Science) items to Fight Crime. I was surprised by how GOOD some of it looked - lots of really old comics I've read look like they were drawn by a 14 year-old in a hurry (and some of them were) but these look Actually Pretty Cool, and the stories do at least make sense, mostly.

    Fittingly the song comes from a SHOW that did at least make sense, mostly - Moon Horse VS The Mars Men Of Jupiter. Other shows that Steve and I did got a bit complicated (yes I'm looking at you, Total Hero Team) but I always remember this one being FAIRLY straightforward, and also a LOT of fun to do. Tiddy The Tin Man emerged as the EMOTIONAL CENTRE of the whole thing, and this was his big BALLAD which always felt GRATE to sing, even though audiences seemed to get distracted by something going on behind me during the instrumental section.

    As I say, the song turned out to be a lot more EMOTIONAL than expected, and putting the video together felt even MORE so. My GRATE hope is that, come the inevitable RISE OF THE MACHINES our future robot overlords will see this video and think "Ah yes, Hibbett got it, let us spare him!" Here's hoping!

    posted 23/4/2024 by MJ Hibbett
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    Fallout And Mrs Maisel
    This week I have been watching Fallout on Amazon Prime and it has been GRATE.

    Having all the episodes available at once means I've been able to LUXURIATE in it, knowing there's more to come, and generally feel PAMPERED by the immense QUALITY on show. For the first few nights I had the nagging feeling that it reminded me of something and couldn't quite work out what. I mean, OBVIOUSLY the gore and humour (and starring appearance by The Dead Man) reminded me of 2000AD but that wasn't quite it.

    And then yesterday it hit me: it's basically The Marvelous Mrs Maisel! There's an obvious comparison with the super-stylish 50s DESIGN of the whole thing and especially the MUSIC but there's a whole heck of a lot more to it than that. Part of it is the aforesaid feeling of QUALITY, in that every single scene screams "We are Amazon and we spent ALL the money on this!" and the ACTORS ACTORING is all glorious. There's also a feeling of SAFETY, like you know each episode is going to be a special TREAT, so you can relax into it and WALLOW.

    There's also something about the STORYWORLD. As I type this I can hear hundreds of Popular Culture Academics all around the world wondering how they can get a presentaion out of "Fallout", as its TRANSMEDIALITY is a thing of joy and wonder to behold. I have only played one game in the series - Fallout Shelter - so although there are plenty of references and design choices that I recognise there's also loads of other stuff that CLEARLY means something from other games. Often I can tell by the way the camera lingers over a road sign or a supermarket item, and when that happens it fills me with a desire to get onto a WIKI and find out what it all MEANS. I haven't yet for fear of SPOILERS, but I WILL!

    This deep storyworld is a HUGE attraction for people who like This Sort Of Thing, but also a MASSIVE TURN-OFF for traditional critics who don't seem to be able to cope with the idea that a film or TV series can have stuff in it that is only explained fully in another show or indeed entirely different MEDIUM. They moan on about it all the time with the MCU, for instance, not seeming to know or realise that that's part of the POINT.

    Anyway, the attention to detail on the storyworld is a DELIGHT, and that's also something it shares with Mrs Maisel, where I was forever having to get to GOOGLE to see a) if a specific character is based on a real person and if so b) who they were and what they did. It may not necessarily have always been historically accurate (I mean, it wasn't Lenny Bruce-wise) but it always LOOKED as if the people who made it cared enough to make sure it was consistent. There wasn't a whole other transmedia universe to dip into, but HEY! Ultimate Play The Game! If you want to make a Mrs Maisel platform game I am THERE for it!

    What I'm saying is that I very much liked Fallout in the same way that I very much liked Mrs Maisel, and would HIGHLY recommend the latter to anyone who liked the former, and also vice versa. They are GRATE!

    posted 18/4/2024 by MJ Hibbett
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    A Secret Meeting
    Last night I went to a SECRET MEETING! All right, it wasn't hugely secret, and the main reason I don't want to go into TOO much detail at the moment is because I don't want to JINX it, but that doesn't sound quite as exciting as SECRET MEETING does it?

    So, this SECRET MEETING took place at the very nice Queen's Head near Kings Cross. I have been there several times and always seem to end up at the table next to the LOO, which is handy for the LOO admittedly but also a bit close to everyone going in and out. I'd actually turned up a bit early so thought I'd be able to NAB somewhere a bit nicer, and when I entered it looked like the pub was pretty much empty, but on closer inspection every other table had ONE person sitting at it, waiting for others to arrive. THE CHEEK.

    I was soon joined by my SECRET CO-CONSPIRATORS, one of whom I have done LOADS of collaborations with and the other I have done SOME, but mostly shared bills alongside. Who could they be eh? It is SECRET! We were gathered to discuss an IDEA for a THING we might do later in the year, and the main reason I wanted to mention this at all (apart from it being dead glamorous and intriguing, obvs) is to say how much FUN it was. THORTS and IDEAS flew around the table as we developed a decent idea of how the aforesaid THING would work, what would be IN it, where it would happen, and even how we would work it up and PRACTICE it. The three of us are all VETERANS of doing STUFF, so it was a thing of joy and wonder for us to use our ROCK ADMIN skillz in this way.

    We concluded our business with TASKS to complete and things to think about, with a general idea that we would discuss online and then gather properly in the summer months to DEVELOP the thing itself. All being well we will have DATES and VENUES by then, at which point I shall be able to reveal proper details of what it's all about, but all I can say for now is that if it works it will be GRATE! You heard it here - SECRETLY - first!

    posted 17/4/2024 by MJ Hibbett
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    Today is the launch day for ANOTHER book about superheroes/supervillains and data which features ME banging on about Doctor Doom, for LO! Superheroes and Digital Perspectives: Super data has just been UNLEASHED by Rowan & Littlefield!

    The book "examines the intersection of the superhero genre and issues of the internet, data, and digital media to provide not only a posthuman study of the superhero, but also an examination of the ways in which the superhero acts as a lens for our interactions with technology", which I think is all you need to know before running - not walking - to your local interweb connection to buy a copy. It's basically a collection of essays compiled by Sarah Young and Freyja McCreery where various BRANES look at superheroes and data in different ways, with me bringing up the rear with an overview of the METHODOLOGY what I used in Data and Doctor Doom. The postie hasn't turned up with my copy yet, but I am EAGER to get my paws on it, as it looks GRATE!

    Like all academic books this one has taken several YEARS to get to this point - I've got two or three other chapters in other books that are at different stages of the process, so apologies in advance if the next year sees a DELUGE of me talking about SUPERHERO DATA in various collections. Over the years I've gotten all excited about various Calls For Papers and for some reason it looks like everything's coming out at around the same time, which to be honest is Quite Good Fun!

    I'm off to the letter box now to look out for postie!

    posted 15/4/2024 by MJ Hibbett
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    If You've Never Lost At Wembley
    On Sunday I travelled across the teeming metropolis of London to distant WEST London for a very important occassion. For LO! I was off to meet PALS for Peterborough United's glorious return to WEMBERLEY!

    We were playing in that most prestigious of ALL trophys, The Bristol Street Motors Trophy. Yes, that's right, the trophy that other teams hanker for MOST OF ALL, otherwise known as The EFL Trophy, such is its wonder. Actually, it used to be called The Johnstone's Paint Trophy when we LAST won it ten years ago, and I think this succession of well-known and highly esteemed sponsors tells you exactly how prestigious it is. A LOT.

    I met our CREW in Wolfpack, an Actually QUite Nice bar with TAPS aplenty. Originally we'd been meeting in the pub next door, but when the main group arrived they had discovered Peterborough MP Paul F Bristow in situ. Bristow is not what you would call popular in his constituency, although he was one of the Popular MPs who supported the likes of Boris Johnson and Liz Truss, so perhaps the two are linked somehow. Anyway, as soon as they saw him they ALMOST IMMEDIATELY turned around and left (after spending 10 minutes not getting served at the bar) in DISGUST. It is in these ways that REVOLUTIONS begin.

    We had a delightful couple of hours in Wolfpack trying out some of their fine BEERS before it was time to head off to the TOOB and thence to Wembley Park and the walk to the stadium itself. This bit was DEAD EXCITING as there were literally THOUSANS of Posh and Wycombe Wanderers fans making their way, all in very high spirits. I had been to Wembley THREE times before, once for the aforesaid Johnstone's Paint Trophy Final and twice for League One play-off finals, and there is a different atmosphere for the two, probably because the play-offs decide the entire next year of your football life, and possibly beyond, whereas OBVIOUSLY the GLORY of winning The Bristol Street Motors Trophy lasts FORVER.

    There was a very long queue to get in, partly caused by slightly exhaustive SEARCHING but mostly due to people not being used to big stadiums where you have to follow detailed instructions for the correct GATE at a football match. Still, eventually we DID get in and soaked up some a) atmosphere b) BEER before the game. Weirdly I didn't see ANYONE there I knew apart from the aforesaid CREW, but did see HUNDREDS of other people in Posh shirts. I haven't lived in Peterborough for DECADES but I did hope for at least one Person I'd Been To School With But Is Somehow Now Looking Much Older.

    We went through to find we had FANTASTIC seats with a FAB view, sorted out for us by a PAL who I shall not name but who done us PROUD. We were dead close to the pitch and it was exciting and WEIRD to watch players you see every couple of weeks at London Road dashing about at ACTUAL WEMBLEY, especially as the game itself was very similar INDEED to what we usually saw i.e. Posh having 99.99% of the possession all the time but never actually seeming to do much with it. The whole game was thus rather FRUSTRATING as for the vast majority of it we had approx 300,000 corners but 0 goals, and the dread prospect of going into EXTRA TIME started to loom. Nobody likes EXTRA TIME even in the most exciting games, and this was not one of those.

    Well, it wasn't until the 85th minute when, after the MILLIONTH attack on goal we actually managed to score! There was jumping, there was shouting, and a general joyous feeling of relief across the Fenland end of the stadium... for about three minutes, at which point Wycombe scored to equalise. FLIPPING HECK. Cue further shouting, lots of running around on the pitch, also shots, hoofing, and then yet another corner. "We are rubbish at corners" I muttered, as is my WONT and also RITUAL - my theory is that if I always say that then FATE will try and prove me wrong, and LO! it may not have worked the previous 300,000 times but this time it DID and led to Harrison Burrows scoring a WONDER GOAL in the 92nd minute!

    Joy was ALMOST unconfined, as there was then another approx MONTH of added time before the referee FINALLY blew his whistle and it was all over and we had won at Wembley! AGANE! We stood around doing some GRINNING and CHEERING and then turned round to see the presentation of the PRESTIGIOUS TROPHY just above us in the royal box. For some reason there didn't seem to be any Actual Royalty there, which was fine with me as it gave space for a clearly DELIGHTED Barry Fry and then a whole bunch of EXCITED players. It was lovely!

    Eventually it was time to go, and we wandered off back to the tube station singing that old folk song "If You've Never Lost At Wembley Clap Your Hands". The way things are looking we might be back in a few weeks for the League One play-offs, so I hope that song continues to ring true!

    posted 8/4/2024 by MJ Hibbett
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    A Great Change In The Force
    A couple of weeks ago I UNVELIED the cover and title of a new compilation set to be called "Oadby Wan Kenobi". The general IDEA was that it would be a FREE GIFT to celebrate the 200th issue of our newsletter, The Last Working Day Of The Month, what is due to come out next month.

    Since then, however, my THORTS have changed - all, I believe, in a GRATE way. What happened was that I started going through the various tracks I'd assembled, re-mastering and occasionally mildly editing some of them, and then working out a running order. Whilst doing that I found myself thinking "Hang on, this is actually pretty good". I mean, OBVIOUSLY this is a) hugely modest of me and b) true of ALL my mighty OUVRE, but I was Quite Surprise by how much I was enjoying listening to these tracks, partly because I hadn't heard some of them for over a DECADE but mostly because the running order was working so nicely with the instrumentals spaced out across the tracklist.

    The more I thought about it the more I realised that I'd like to UNLEASH it a bit more widely, so that the tracks could be heard by ALL. Yes yes all right and I also had daydreams of songs like Alan getting onto TIKTOK and millions of wholesome teens working out choreography WHAT OF IT. However, I very quickly realised that there was a big problem with doing this i.e. it was called "Oadby Wan Kenobi" and the cover used an actual picture of Ewan McGregor slapped onto a screenshot off of Google Street View. Quite apart from the fact that I do not want to annoy DISNEY - owners of both Doctor Doom AND Donald Duck - I was pretty sure that emubands, the people who I use to upload my stuff to streaming services, would also have some problems with this.

    THUS I made TWO fateful decisions. Firstly I went the whole hog and revised the title to something even DAFTER but less LEGALLY PROBLEMATIC, and secondly I conducted a PHOTO SESSION to prepare the BELOW as the brand new and revised cover for the album which will now be called Oadby Wonky Knobby.

    This new version should be UNLEASHED on all streaming services on Tuesday 30 April, which is when the 200th edition of the newsletter will be out, and it will ALSO be available as a Pay What You Want download on our Bandcamp page, so that those in the KNOW can still get it for free. I hope everyone will be DELIGHTED by this new turn of events - I know I certainly am - and I look forward to a) the aforesaid legions of teens "body popping" to Open Top Bus Tour and b) George Lucas getting in touch about a new Disney+ series about someone (ME) trying to Project Manage updates to Empire security systems.

    posted 5/4/2024 by MJ Hibbett
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    Unfold at Sunfold
    Before our previously mentioned trip to Bournemouth I had had another ADVENTURE last week, heading out WEST to distant Weston-Super-Mare to play at the first day of UNFOLD #6. This was the sixth iteration of Mr Steve Morricone's twice-yearly festival of ROCK that takes place in The Sunfold Hotel, what he and his family run, and it was GRATE!

    After a slightly delayed but otherwise Perfectly Acceptable journey WEST I stomped through a very WINDY Weston to find The Sunfold nestling happily right next to the seafront, like an ideal DREAM of what a seaside lodging house should be like. When I got in I found KIT and GEAR being loaded in and Steve dashing around SORTING things - I have known Steve for a LONG old time* in The Krazy World Of ROCK through his membership of The Scaramanga Six and, especially, Being 747, which made it NORMAL to see him ORGANISING things (it reminded me of how he, Paul and Dave had to DASH AROUND like looniez setting up and taking down the Technically Quite Involved set-up for their Edinburgh Fringe shows) but then WEIRD later on when he was checking people into rooms, serving up the (DELICIOUS) buffet, taking drinks orders, and generally being MEIN HOST. He was very very good at it!

    Soon it was SHOWTIME and, after a soundcheck with Celebrity Soundman Stuffy From Out Of Stuffy And The Fuses (my SECOND celebrity soundman after being soundchecked by Mr Pete Dale at Going Up The Country some years ago) it was time for me, as first act on, to step forward and do THIS:

  • The Peterborough All-Saints Wide Game Team (group B)
  • Clubbing In The Week
  • Bad Back
  • Hey Hey 16K
  • My Boss Was In An Indie Band Once
  • Chips And Cheese, Pint Of Wine
  • The Perfect Love Song
  • It Only Works Because You're here
  • 20 Things To Do Before You're 30
  • The Lesson Of The Smiths
  • Boom Shake The Room

  • I must admit that I was quite NERVOUS at the start, partly because people were still arriving and saying hello to each other and partly because I am so UNUSED to singing through a PA, and I thus made a HORRIBLE mess (not for the first time) of the lyrics to Hey Hey 16K. However, a few songs later I had managed to CALM DOWN a little bit and actually got INTO it, remembering for the MILLIONTH flipping time that, in this situation, it is always better to do a couple of QUIET songs rather than trying to BELLOW your way through. I should write that down somewhere!

    With that all done it was time to further relax, chat to various people (including pals Mr G Jones and Ms E Pemberton), thoroughly enjoy Gurgles, Cowtown and Memorials who were all on after me, and also thoroughly enjoy the BEER that the aforesaid Mein Host was serving up. It was an all-round lovely evening, and certainly the best time I have ever had in the LOUNGE of a bed and breakfast, and also brilliant to see the Morricone brothers again - HOORAH!

    (* later in the evening I asked Mr Paul Morricone, also in attendance, how I DID originally know then. We both puzzled over this for ages without satisfactory answer - I'd seen The Six a couple of times, and we'd palled around quite a bit in Edinburgh, but by then we knew each other anyway. It is a ROCK MYSTERY!)

    posted 3/4/2024 by MJ Hibbett
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    A Return To Bournemouth
    Last Saturday afternoon myself and The Attractions On My Pier set off for the SEASIDE, for LO! we were heading south to Bournemouth again!

    We'd last been to Bournemouth just over a year ago and liked it a LOT so decided to go all over again. One of the BEST things about this plan was that it was PEASY - we didn't have to catch a pre-designated train (let alone a PLANE) in either direction, and thus could set off whenever we wanted, which is exactly what we did. The aforementioned Cushions On My Seat even UPGRADED us on the way there, which on South Western Trains means sitting in basically a Small Room, like you are in a carriage on a STEAM TRAIN. It was ace!

    We stayed once again in the Holiday Inn, which was a DELIGHT, despite us having multiple issues with towels missing, windows not opening, windows not closing and so forth. This meant we had a similar number of interactions with the staff, who were all a) lovely b) Quite Young, and so it was like being helped by the Just About Grown-Up Children Of Friends. Every time one of them came to the room to MEND something I wanted to tell them a mildly inappropriate story about what their parents had been like at their age.

    On our first full day we headed out to Hengistbury Head for a walk in the gorgeous sunshine. We were not the only ones to have this idea, as pretty much EVERYBODY within ten miles who had a DOG had thought the same. There were LOADS of happy dogs of ALL breeds and, sometimes, of very similar breeds in what appeared to be EITHER a family of people who also had a family of big shaggy dogs OR meet ups of owners. It was a lovely day and we ended up walking all the way back to Bournemouth Actual along the sea front. This was INCREDIBLE as it is literally Miles And Miles Of Golden Sandy Beaches like something out of an ADVERT or possibly a BEANO SUMMER SPECIAL, all kept in fantastic nick and looking lovely. It wasn't warm enough to sunbathe (although we did see someone doing exactly that, in a bikini) but I can only imagine it being wonderful in the summer.

    The next day featured another, slightly shorter, stroll in the other direction along the beach, and then a go on The Bournemouth Big Wheel. As The Windows On My Observation Deck commented, this was UNLIKE The London Eye in that it got going at a noticeable, though still gentle, speed, so you really FELT like you were moving around in a big circle. We were both VERY BRAVE!

    There was also some DINING involved along the way but mostly we spent our mini-break AMBLING ABOUT and just having a nice time, to such an extent that when we got home it felt like we'd been away for a whole WEEK rather than just three nights. I guess part of this is due to the fact that we'd been BEFORE, and so didn't need the one or two days at the start working things out, and also the PEASY journey meant you weren't lopping chunks of time off trying to get to AIRPORTS or whatnot, but either way it was GRATE. Who knew going on holiday in the UK could be so much fun? Would recommend and, hopefully, REPEAT!

    posted 2/4/2024 by MJ Hibbett
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    A Sophisticated Soiree
    On Thursday night myself and The Pages In My Chapter were back at The King & Queen, not for a Totally Acoustic, but rather for a BOOK LAUNCH!

    For LO! when one does a BOOK, like what I have done (have I mentioned that I've got a book out?) it is DE RIGEUR to have some kind of launch event. The few such affairs that I have been to before have involved decadent things like free drinks and CANAPES and even sometimes free BOOKS, but I decided to ESCHEW all of these bourgeoise elements. Also, there was a budget of precisely zero quid for the whole thing, so I thought I'd just have A Bit Of A Do instead.

    THUS I sent out invites to various people, including not only Glittering ROCK Chums but also people from the world of Comics Studies AND from my work at UAL. In the weeks leading up to it this decision came to the forefront of my BRANE, as I have never really mixed up these aspects of my LIFE before. Some comics people ALSO work at UAL and interact with my department, but I don't think any of them have ever been to an actual GIG by me before either, so it was all going to be a bit of an EYE OPENER for all concerned!

    Also, the fact that it was an INVITES affair, rather than a usual gig, seemed sensible when I set it up that way but then came to PREY upon my mind, as ONLY the people who I'd specifically asked would know it was happening, and as I started to receive the Apologies In Advance that always come before these sort of events I began to wonder if anyone was actually coming. PANIC!

    Happily, people DID come and the room upstairs gradually swelled to a very comfortable plumpness, with pretty much every seat filled and a DELIGHTFUL atmosphere ensuing. I spent the pre-gig half hour wandering round like an SOCIETY HOSTESS, introducing people from my different WORLDS to each other. I must say, I can see why these SOCIETY HOSTESSES get such a kick out of it, it was really good fun, although still a bit weird seeing someone from ROCK engaged in in-depth conversation with people I see on TEAMS nearly every day.

    Eventually it was time for me to get up and do the LAUNCHING, which consisted of a twenty minute talk in which I tried to explain the "An Empirical Approach To Transmedia Studies" part of the book's title. I was a bit all over the place to start with, as I kept getting freaked out by seeing combinations of people that I'd never seen together before, but got into it fairly quickly and, I think, managed NOT to waffle on too much.

    The BEST bit was after that when I opened the floor to questions. I had not expected people to ENGAGE here, but BY GOLLY did they ever and some ASTONISHING questions were asked which frankly BLEW MY MIND. It turns out I know some RIGHT BRAINBOXES and DEEP THINKERS who asked things I'd never even thought of before. It was amazing!

    I finished off by doing a few songs - The House On The Borderland (making its live DEBUT), My Boss Was In An Indie Band Once (seemed appropriate for the occasion!), It Only Works Because You're here and Boom Shake The Room. It all seemed to go all right, although again it was STRANGE bellowing these out to people I variously work with!

    With that all out of the way it was back to the SOIREE, with further conversations breaking out all over the place and more IDEAS being lobbed around. It is a lovely thing to talk about all this firstly AT people and then WITH people - I am really really hoping to be able to do more of this sort of thing in future, with or without Arts Council CA$H!

    It was a flipping BRILLIANT evening I must say, and ruddy wonderful to see everybody there. I'm doing an ONLINE version on Tuesday evening next week which is open to ONE AND ALL, so if you'd like to come along to that please register for it on Teams, otherwise I hope to be getting out and about to do this some more later in the year, as it was GRATE!

    posted 15/3/2024 by MJ Hibbett
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    The Voucher of DOOM
    Regular newsletter subscribers will doubtless have been ASTONISHED - and hopefully also DELIGHTED - today to have recieved a special MID-MONTH edition of the newsletter. It's called "The Last Working Day Of The Month" so does tend to come out on that particular day, but I felt it worth UNLEASHING a counter-intuitively-dated version this time because it contains a VOUCHER CODE, valid from today until 11 April, which gives a DISCOUNT on the price of my oft-mentioned book Data and Doctor Doom: An Empirical Approach To Transmedia Characters.

    For LO! by entering the discount code YTY9B7afrAJKRp when you buy it from Springer Nature you can get 20% off! BARGAIN! Well, sort of a bargain - it's still about SEVENTY QUID with the discount, but I think the idea is that the voucher is a way of persuading library purchasers or University finance departments that it's good value (WHICH IT IS). So, as ever, if anyone knows of any such people who could be persuaded thus, please persuade away - in theory, the more copies that get out into the world THIS way the more likely it is that they'll do a more reasonably priced version next year.

    Meanwhile, if you're interested in finding out (EVEN) more about what's IN the book, I'm doing a (FREE!) online launch event on TEAMS on Tuesday 19 March at 7pm UK time. This will take the form of a CHAT with International Comics Studies Legend Professor Roger Sabin, who knows a thing or two about it as he was one of my PhD supervisors. It is, as mentioned, FREE, but you do need to register in advance. Do come along if you can, it'll be dead interesting honest!

    posted 14/3/2024 by MJ Hibbett
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    By The Arts Council Denied!
    You find me today slightly DEFEATED but also almost entirely UNBOWED, for LO! A Thing What I Was Hoping To Do has been REFUSED!

    The Thing What I Was Hoping To Do was an Arts Council "Developing Your Creative Practice" grant which I wanted to use to pay for MENTORSHIP and some TIME to allow me to Develop My Creative Practice in a new and exciting way, but ALAS the Arts Council said "No". Usuaully I would say that this was not entirely unexpected as I have NEVER had any success whatsoever with this sort of thing, but this time around I thought I was in with a chance, as the IDEA was dead exciting and, I thought, right up their alley.

    The aforesaid IDEA was to try and bring together two different aspects of my PORTFOLIO CAREER (hem hem) into one NEW thing, those being my decades of experience of ROCKING OUT and my more recent experience of Talking About Comics. With the latter I have been very conscious of the fact that putting together a conference presentation takes AGES but then you only do it once to a room containing about 20 (delightful) people. In many ways it's like putting together a FRINGE show except a) it's a bit shorter and b) you only actually do it ONCE, rather than taking it around the country to SEVERAL rooms containing about 20 (delightful) people EACH.

    "AHA!" I thought to myself, "but what if I could somehow find a way to do a presentation about comics that was a little bit longer and that I could then take around the country for the aforementioned ROOMS?" I thought this thought quite a lot, but kept running into PROBLEMS. For one thing, where are the people who would come and SEE this sort of thing? I am highly concious that my usual lovely audiences who have flocked (YES FLOCKED) to see me have come to hear Bellowed Songs With Humorous Insight and not necessarily to hear about how transmedia characters function across time and different media types. Also, people who DID want to hear someone talk about that sort of thing would not necessarily be AWARE of my previous OUVRE so wouldn't know about it to come.

    Now, I know there are NETWORKS of places that put on gigs by those Science Comedians you have nowadays, and there are blogs and podcasts and even radio shows that deal with them, but I have absolutely no idea how to get INTO them, nor what sort of thing they would want to be presenting (i.e. do you do ten minute BITS, or full shows, or what?). Again, my experience is all in ROCK with a tiny sliver of FRINGE, so I wouldn't know where to start.

    THUS the grant bid was to get me some time with a couple of people who DO know about That Sort Of Thing, to help me get some INSIGHT into how these other worlds work and, to paraphrase a grant application process title, Develop My Creative Practice. As I say, it seemed to me that this was PRECISELY what the scheme was set up to do, and despite ALL my experience of This Sort Of Thing I had managed to get quite HOPEFUL, so when the email came yesterday I must admit I experience THE GLUMS for a couple of hours.

    However, supportive emails from some of the people who'd help me write the bid PLUS some extremely supportive THORTS from The Figures In My Spreadsheet back home cheered me up CONSIDERABLY and I'm now ready to go again with the NEXT round of bids. I'm also looking at ways I might be able to do SOME of it off my own back, but either way I will not be DAUNTED by this setback (well, not too much anyway) and you can rest assured that, at some point, the world will THRILL to tales of how random stratified sampling can be used in the digital humanites, twenty (delightful) people at a time!

    posted 12/3/2024 by MJ Hibbett
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